Steve Biko Christ-figure: A black theological Christology in the Son of Man film

HTS Teologiese Studies/Theological Studies

 
 
Field Value
 
Title Steve Biko Christ-figure: A black theological Christology in the Son of Man film
 
Creator Mokoena, Katleho K.
 
Subject — —
Description Son of Man (2006) is the first Jesus film to be produced in South Africa and the first Jesus film with an all-black cast amongst all films about the life of Jesus. Son of Man retells the story of Jesus from the pre-1994 South African context and the transition to democracy. The film portrays a Jesus who is concerned about social justice and seeks to dismantle systems that perpetuate and maintain subjugation, oppression, discrimination and marginalisation. The film reinforces the ideology of black consciousness and the praxis of black theology creatively and artistically through film. Jesus in Son of Man embodies the life of Stephen Bantu Biko, and Steve Biko is thus given a Christ-figure around four things: non-violence, ideology, disappearance and death. A black Christological perspective is used to analyse the nature of Jesus Christ in Son of Man.
 
Publisher AOSIS
 
Contributor
Date 2017-10-27
 
Type info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion — —
Format text/html application/epub+zip text/xml application/pdf
Identifier 10.4102/hts.v73i3.4667
 
Source HTS Teologiese Studies / Theological Studies; Vol 73, No 3 (2017); 8 pages 2072-8050 0259-9422
 
Language eng
 
Relation
The following web links (URLs) may trigger a file download or direct you to an alternative webpage to gain access to a publication file format of the published article:

https://hts.org.za/index.php/hts/article/view/4667/10387 https://hts.org.za/index.php/hts/article/view/4667/10386 https://hts.org.za/index.php/hts/article/view/4667/10388 https://hts.org.za/index.php/hts/article/view/4667/10365
 
Coverage — — —
Rights Copyright (c) 2017 Katleho K. Mokoena https://creativecommons.org/licenses/by/4.0
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