Die dramatiese discours in Pas de deux van Hugo Claus
Literator
| Field | Value | |
| Title | Die dramatiese discours in Pas de deux van Hugo Claus | |
| Creator | Vaughan, R. | |
| Description | Drama is action, verbal drama is speech action, and the dramatic text is subject to a similar set of rules as that governing the extra-literary communication situation. Dramatic irony, the very essence of drama itself, is generated by a dual, mutually interactive process of communication, whereby the audience is “written into” the text in a way distinguishing it from other literary genres, and by a systematic flouting of the rules governing communication. Pas de deux demonstrates the peculiar duality of dramatic discourse by its complex exploitation of the breakdown/non-breakdown of Grice’s Co-operative Principle-. communication/non-communication becomes reversible and, therefore, mutually constitutive concepts “releasing meaning” and conveying the “ideology” of this play. | |
| Publisher | AOSIS | |
| Date | 1990-05-06 | |
| Identifier | 10.4102/lit.v11i2.805 | |
| Source | Literator; Vol 11, No 2 (1990); 109-120 Literator; Vol 11, No 2 (1990); 109-120 2219-8237 0258-2279 | |
| Language | eng | |
| Relation |
The following web links (URLs) may trigger a file download or direct you to an alternative webpage to gain access to a publication file format of the published article:
https://literator.org.za/index.php/literator/article/view/805/975
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