Record Details

Aliens and existential elevators: absurdity and its shadows in Douglas Adams’s Hitch hiker series

Literator

 
 
Field Value
 
Title Aliens and existential elevators: absurdity and its shadows in Douglas Adams’s Hitch hiker series
 
Creator van der Colff, M.A.
 
Subject — Absurd Heroism; Douglas Adams; Fictional Universe; Existential Choices; Subjective Meaning
Description According to twentieth-century existentialist philosophy, the universe as we know it is steeped in senselessness, and the only possible means of survival is the construction of subjective meaning. Douglas Adams’s fictional universe portrayed in his “Hitch hiker” series reflects the arbitrary nature of existence, and the characters dwelling in this narrative space are faced with two existential choices: the one is defiance in the face of senselessness, the other is bleak despair. This article explores the existential choices made by prominent characters in the “Hitch hiker” series. The article distinguishes between and analyses the Sisyphus characters and their polar opposites (or nihilist shadows) in Douglas Adams’s “Hitch hiker” series. Adams’s characters, be they human, alien or sentient machine, all face the same existential choice: actuate individual meaning, or resort to despondency. Characters who choose the first option are regarded as Sisyphus figures, whereas characters who choose the latter are referred to as shadows or nihilist nemeses.
 
Publisher AOSIS
 
Contributor
Date 2008-07-25
 
Type info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion — — —
Format application/pdf
Identifier 10.4102/lit.v29i3.128
 
Source Literator; Vol 29, No 3 (2008); 123-138 Literator; Vol 29, No 3 (2008); 123-138 2219-8237 0258-2279
 
Language eng
 
Relation
The following web links (URLs) may trigger a file download or direct you to an alternative webpage to gain access to a publication file format of the published article:

https://literator.org.za/index.php/literator/article/view/128/112
 
Coverage — — —
Rights Copyright (c) 2008 M.A. van der Colff https://creativecommons.org/licenses/by/4.0
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