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Verskyningsvorme van estetisisme en dekadensie in Sy kom met die sekelmaan en Kaapse rekwisiete

Literator

 
 
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Title Verskyningsvorme van estetisisme en dekadensie in Sy kom met die sekelmaan en Kaapse rekwisiete
 
Creator Grobbelaar, M.
 
Subject — —
Description Manifestations of aestheticism and decadence in Sy kom met die sekelmaan and Kaapse rekwisieteThis article offers a new perspective on the novels of two well-known Afrikaans authors, namely Hettie Smit's Sy kom met die sekelmaan (1937) and Wilma Stockenstrom's Kaapse rekwisiete (1987). Both literary works are read within the framework of late nineteenth-century Western European and British aestheticism and decadence. Characteristic elements of aesthetic and decadent literature, such as an emphasis on artificiality - especially the tendency towards the fictionalization of reality narcissism, sexual perversity, and the utilization of a flowery style are identified in both novels. Stockenstrum 's novel can, however, also be read from a feminist point of view, as is already indicated by the fact that everything is seen through the eyes d f a female character, and by the negative projection of male characters and heterosexual relationships. Lefebvre's Jungian-based search for the Self is a further indication of the feminist character of this novel, as the psychological views of Jung with his accent on identity and individualisation form a myth in its own way in feminist literature.
 
Publisher AOSIS
 
Contributor
Date 1995-04-30
 
Type info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion — — —
Format application/pdf
Identifier 10.4102/lit.v16i1.584
 
Source Literator; Vol 16, No 1 (1995); 51-66 Literator; Vol 16, No 1 (1995); 51-66 2219-8237 0258-2279
 
Language eng
 
Relation
The following web links (URLs) may trigger a file download or direct you to an alternative webpage to gain access to a publication file format of the published article:

https://literator.org.za/index.php/literator/article/view/584/754
 
Coverage — — —
Rights Copyright (c) 1995 M. Grobbelaar https://creativecommons.org/licenses/by/4.0
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