The man with the phrase book in his head: On the literariness of the illiterate Homer
Literator
| Field | Value | |
| Title | The man with the phrase book in his head: On the literariness of the illiterate Homer | |
| Creator | Alant, J. | |
| Description | In the early 1930s Milman Parry’s theoretical substantiation of the oral composition of the Iliad and the Odyssey was widely interpreted as a major breakthrough in the field of oral traditional research, even as the founding act of a new discipline – Oral Theory. The “oral-formulaic” theory which underscored this breakthrough has, however, been increasingly criticized in recent times. While acknowledging the fundamental importance of Parry’s work in the field of Oral Theory, the present article seeks to reinterpret the essential orality of the Homeric poems in the light of its broader implications for the recognition of an oral aesthetics/oral literature. Parry’s work on the Iliad and Odyssey has generally been appreciated for its postulation of a characteristically oral textual economy. This article sets out, by contrast, to look more closely at the possibility Parry opens up for the orally composed text to be considered “literature” in its fullest aesthetic sense. Crucial to this is the creative role of the reader/audience in terms of the text’s “horizons of expectations”, that also serve to contradict the famous characterisation by Walter Ong alluded to in the title of this article. | |
| Publisher | AOSIS | |
| Date | 2002-08-06 | |
| Identifier | 10.4102/lit.v23i1.320 | |
| Source | Literator; Vol 23, No 1 (2002); 53-72 Literator; Vol 23, No 1 (2002); 53-72 2219-8237 0258-2279 | |
| Language | eng | |
| Relation |
The following web links (URLs) may trigger a file download or direct you to an alternative webpage to gain access to a publication file format of the published article:
https://literator.org.za/index.php/literator/article/view/320/289
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